Most artists know it’s important to sign their artwork but often they are not sure where to sign or even how. Your signature is a written mark that represents you as a person. This unique way that you write your name is used not only as an identifier but as a security measure as well. In the art world, it’s part of the way that a piece of art is identified as belonging to a certain artist or even as real or a forgery. It’s important to consider, however, that the signature you would use for an official legal document is not necessarily the one you would want to use for signing your artwork and there are a few reasons for this.
The signature that many people use for signing legal documents or cheque’s is often quite illegible. It often becomes a calligraphic or derivative version of actual letters. It’s part of the reason most forms will ask you to print your name as well as sign. While this may be great for trying to create a unique mark that no one can easily copy for security reasons, It’s not the best for signing your art.
WHAT TO INCLUDE
If your last name is anything like mine you probably think that the last name alone should be sufficient as an identifier. My last name might not be super common in my home country of Canada but in Greece, it’s like the last name Smith. Signing my work with just my last name or even just “B. Sotiropoulos” might not be enough to differentiate or identify me. For this reason, it’s a good idea to sign with your first and last name if possible.
Some people also like to include the year as part of the signature. I think you can go either way on this. I like to sign the back of my pieces with a legible version of my name, the title of the piece, when the piece was created and mediums used. Some artists even go as far as adding a catalog number.
The reason this is a good practice is that the back of the piece is less likely to have any damage to it, especially if it is in a frame for a period of time. This also ensures that if the piece ever gets separated from any official paperwork it can still be identified as yours. You can do this by hand or even create a unique stamp that you fill out on the back of each piece for consistency.
LOCATION, LOCATION, LOCATION
Another area artists struggle with is where to sign their work. The conventional place is usually the lower right-hand corner. Though perhaps the common practice, personally I don’t believe that’s the only best place for a signature. There are a couple things to consider here. If your artwork is going to be framed, you have to make sure you have signed far enough away from the edge that it won’t be covered fully or in part when a mat sits on top of the image. Paintings will have the same consideration for spacers and frames.
Many people like the lower right hand also because it acts almost like a period on a sentence. Typically our eyes scan left to right and top to bottom. So by that logic, you would arrive at a signature at the bottom right-hand corner towards the end of your experience looking at a piece of 2D Art. Similarly, if your eye is traveling in a circle throughout the piece, you would likely still arrive at that corner at the end of your journey. Most people have come to expect it there as well.
From a digital perspective, if someone were to steal your art and try to pass it off as their’s, a simple slight crop inward would be all it would take to get rid of your signature. Now, in all fairness, you can’t make your decision solely based on worrying someone will steal your art but it is a reality. Anyone with decent Photoshop skills can remove your signature if they want anyway.
THE UNCONVENTIONAL OPTION
When I was in design school, the practice of signing my work got trained out of me. Designers and Illustrators don’t tend to sign their work since the end product is usually used for commercial reasons and isn’t necessarily meant to be a work of art attributed to a specific person. Eventually, I started to like my work without a signature even going as far as feeling like the balance of my piece was completely thrown off by one. In the case of pieces with a white background, I felt like it drew WAY too much attention to itself.
I often don’t sign my originals on the front and instead include all the information on the back. For digital posts, I will add a digital version of my signature to the piece. If the original sells, I will then go in a sign the front with the medium used in the piece and in a color that works in harmony with the rest of the piece as well as in a location that works with the composition.
Signing your artwork is an important practice for every artist. What your signature looks like is just as important as where you put it so take time to really consider what works best for you and your artwork. If you still aren’t sure, have a look at what other artists you admire are doing and decide if that is something that would work for your artwork too.
How do you sign your artwork? Share with me in the comments!